Users found all sorts of applications, ranging from regenerative arpeggios to bizarre sound design effects to lush guitar or vocal fattening. The Harmonizer H910 offered pitch shifting (☑ octave), delay (up to 112.5 ms), feedback regeneration and more from a $1,600 box. The Eventide Harmonizer was designed by Eventide's Anthony Agnello. The harmonizer's effect can be heard quite clearly on "Funtime" where the snare sounds like a descending "Dush" sound. Of course, it made the final cut and it has since been regarded as one of the most revolutionary drum sounds ever created.
Everyone was amazed.ĭavid scratched his head and said, ‘I agree it’s an amazing effect, but I’m dubious whether we’ll use it.’ But as we grew more familiar with it – we eventually loved it. In simple terms it means a very deep snare sound that keeps cascading downwards in pitch the initial impact had the ‘crack’ but then the ‘thud’ never seemed to stop, and, not only did it go on at length, but it got deeper and deeper in pitch, kind of like the sound a man makes when he gets punched in the stomach – ‘ugh’. I sent a feed from the snare drum mic to the Harmonizer, I dropped the pitch by a semi-tone, and then I added feedback of this sound to itself. I immediately set up my Harmonizer and decided to use one of the coolest tricks I’d discovered before I’d left London. Here's Visconti talking about the Harmonizer in the context of the "Low" sessions:īefore we recorded the first piece, I had to get sounds from each instrument, and in the case of the drums, one for each drum. It's effect is more pronounced on "Low" but can be heard on "The Idiot" as well (remember both albums were recorded pretty much simultaneously at the same studio).
In the hands of Bowie, Visconti and Thibault this device was used to pitch drum sounds DOWN. The Harmonizer is a real-time pitch-shifting device that one would typically use to fabricate vocal harmonies. I should say this is also a success for Thibault because he states that the Château was the first studio in Europe to have an Eventide Harmonizer. We'll be sharing all the best Black Friday plugin deals throughout the event.Visconti's main secret behind the sounds of "Low" and "The Idiot" lies in the Eventide Harmonizer. With the Black Friday music deals incoming, it could be worth holding out until the end of November to pick up a bargain. Our choices are spread across 12 categories, and you can consider this the best of the best. No doubt about it, plugins sit at the very heart of the software-based studio, and in this round-up, we’ll reveal - in our opinion - the finest virtual instruments and effects money can currently buy.
EVENTIDE H910 HARMONIZER TORRENTS PRO
Ultimately, your choice of DAW will determine which format(s) you can use - for example, Cubase only supports VST, Logic Pro only works with Audio Units, and Ableton Live plays ball with both (on Mac). These days, most virtual instruments and effects are released in VST, AU and AAX formats, with a few still arriving in the ageing RTAS, but the differences between the standards are minor and partly DAW-dependent, so a given instrument or effect will always sound exactly the same - and, largely, operate identically too - no matter which version you use. Whether you’re after a thoroughly convincing Minimoog or Roland TR-808, a Urei 1176 compressor or a granular sample mangling effect, there’ll be at least a handful of viable options out there to suit your creative needs and budget.
EVENTIDE H910 HARMONIZER TORRENTS FREE
There are literally thousands of amazing free and paid-for examples available in both categories, from emulations of pretty much every classic hardware synth and effect unit ever made, to mind-blowing new designs that could never exist in physical form.
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